Art is a free space, where one finds the second breath in never-ending race for himself, escaping through the time. The man rears the art by his own life, becoming immortal this way. Maybe, at the beginning of time the world was black-and-white, and Mother Nature tried to give us some sort of signs using colors. And we in our imagination mix the colors of palette, coloring everything around of us. And the Creator by means of the angeloses-artists slightly opens the curtains of the mystery.

Phenomenon of Marianna Abramova - where artist, poet and musician created the gomological row, the counterpoint of which is immanent to the component of spiritual person as the factor of creation. The freedom of creative self-indexation reaches from hyperbola to litotes, from black to white, from piano up to crescendo. A. Camus was right - " Freedom is the last of individual passions ". In it's inadequacy the managing freedom shows to the Creator the last account allowing to not be considered with the finiteness of human life, having given him to work how if he was the Creator himself. Freedom as some sort of "caesura" separates a human from absolute perfection, where the creative freedom is aprior and steadfastly inside of him as Faith. Beauty is the last that remains constant. Revelation of beauty is mystery as it is not caused.

Marianna's works - paintings, graphics, photos, poems - are powerful and colorific unity where the pastel segments of painting by means of stigmas of the visual and verbal texts conduct you in polyphony of her sensual, sometimes not on female asserting - ME. All subjects and details of work, even the background is important for her. Any of parts is not more important another - everything is in harmony and is subordinated to the composition where the colors of memory - impression are from somewhere far beyond, for our long-past pre-placental dreams-visions. If in musical harmony each note is a part of a single whole, here each color is a part of general harmonic septum chord where the culmination is the dominant, this is a feeling expression by color. She so trusts to her hand, that allows to outstrip the emotions as continuation of her mind and sensuality. Everything, that by her is submitted, aspires to marvelous, to the mysterious mission of returning of this empire of shadows to life.

She is an adapt of color intuition. Her still life is a reanimation of visual symbols.
Beauty, Love, Truth, Kindness are different only by names - synonymic forms of the person of Marianna Abramova.
The love is a loneliness together where co-vibrates the metonymy of an alliance of HER and CREATIVITY

Konstantin KRAVCHENKO,
culturologist, anthropologist, sculptor